Only one hour today. Please stay on task, we have alot of info to cover.
Sequence Review and Compression (see guide below)
Authoring a looping video (see guide below)
Annoucements:
Changes to Schedule:
Wednesday: Watch Tarnation and have a work day with Mark.
Process project will not be due on Wednesday but now on the following monday. (the 9th) It should be twice as good!
If you haven't shown me a copy of your project I suggest you:
-ask Mark for feed back on Wednesday,
-e-mail me a small copy of your file (mpeg4 at the smaller websize like we posted on the blog)
Saturday, January 31, 2009
Friday, January 30, 2009
Quick Guide : Sequence, Compression and DVD Studio Pro Settings
Think about two thing before setting up your sequences :
HOW DID YOU SHOOT THE FOOTAGE.
was it anamorphic (16:9) or standard (4:3)
HOW DO YOU WANT TO DISPLAY VIDEO?
Widescreen/Projector or Standard TV
Solution A (anamorphic footage in Camera formated for a widescreen playback)

(the sequence settings in final cut) (set before adding footage to timeline)

(compression setting for export using QUICKTIME CONVERSION)
Solution B: (anamorphic video placed in non anamorphic 4:3 standard sequence) This might be the best solution for this class. Follow these direction if you originally shot in 4:3 as well.

(the sequence settings in final cut) (set before adding footage to timeline) Notice the letter boxing?

(compression setting for export using QUICKTIME CONVERSION)
DVD Studio Pro settings (to loop single video)
-16:9 widescreen

-4:3 Standard
HOW DID YOU SHOOT THE FOOTAGE.
was it anamorphic (16:9) or standard (4:3)
HOW DO YOU WANT TO DISPLAY VIDEO?
Widescreen/Projector or Standard TV
Solution A (anamorphic footage in Camera formated for a widescreen playback)

(the sequence settings in final cut) (set before adding footage to timeline)

(compression setting for export using QUICKTIME CONVERSION)
Solution B: (anamorphic video placed in non anamorphic 4:3 standard sequence) This might be the best solution for this class. Follow these direction if you originally shot in 4:3 as well.

(the sequence settings in final cut) (set before adding footage to timeline) Notice the letter boxing?

(compression setting for export using QUICKTIME CONVERSION)
DVD Studio Pro settings (to loop single video)
-16:9 widescreen

-4:3 Standard

Tuesday, January 27, 2009
Week 4 Wednesday Class Summary
Presentations
Watch Theme Song
Work day
Announcements:
Process Project Due FEB 4th
The Lab is now open on Tuesday nights
Watch Theme Song
Work day
Announcements:
Process Project Due FEB 4th
The Lab is now open on Tuesday nights
Sunday, January 25, 2009
a note about anamorphic video aka 16:9

anamorphic video means you shoot with 720x480 pixels that are the same as the 4:3 ratio but those pixels are stretched.
-if you use all 16:9 settings in final cut the anamorphic footage will appear "squished" on a traditional 4:3 tv monitor.
-if you need your footage to play on a non-wide screen tv then drop 16:9 into a non anamorphic 4:3 ratio. Allow for letter boxing.

- if you play from quicktime on the computer the anamorphic will maintain the aspect ratio.
If you camera does not have an anamorphic lens you are technically degrading the image by enlarging it. The Panasonic do not have such a lens, sadly.
More on 16:9
What ever you do, DON"T scale your footage
Week Four: Wednesday Class Summary
TV Delivers People
Discussion
Capturing Demo
Announcements:
Process Project Due FEB 4th
Warning the LAB is not open on Tuesday nights
Discussion
Capturing Demo
Announcements:
Process Project Due FEB 4th
Warning the LAB is not open on Tuesday nights
Tuesday, January 20, 2009
Thursday, January 15, 2009
Week Three Monday Class Summary
Lecture on the Origins of Video Art: The Fluxus Movement, the Portapak, the Mythos of Paik
Process Project:
camera movement, cutting video, vantage point (Example DVD)
View:
-Charles and Ray Eames Powers of Ten
- Rob Tyler
- Past Student Work
Announcements:
TEST FOOTAGE DUE MONDAY JAN 26th
Reading A is due on January 26th
(The medium is the Message Photocopy and The Shredding of the Utopian Moment by Rosler out of our text)
Process Project:
camera movement, cutting video, vantage point (Example DVD)
View:
-Charles and Ray Eames Powers of Ten
- Rob Tyler
- Past Student Work
Announcements:
TEST FOOTAGE DUE MONDAY JAN 26th
Reading A is due on January 26th
(The medium is the Message Photocopy and The Shredding of the Utopian Moment by Rosler out of our text)
Tuesday, January 13, 2009
Week Two Wednesday Class Summary
Final Cut: Clips, In and Out points, Storyboard Mode
Break
Found footage Demo
Download Videos from Archive.org (look are .mp4 files)
Or use provided footage go to network and computer 10?
Announcements:
Reading A summary is due January 26th
Break
Found footage Demo
Download Videos from Archive.org (look are .mp4 files)
Or use provided footage go to network and computer 10?
Announcements:
Reading A summary is due January 26th
Monday, January 12, 2009
Week Two Monday Class Summary
-Passed Around Artist Sign Up Sheet
-Final Cut intro
-break
-photo montage demo
Announcements
Photo Demo Due at the beginning of Class on Wednesday
You need to be thinking about buying your book and hard drive ASAP.
-Final Cut intro
-break
-photo montage demo
Announcements
Photo Demo Due at the beginning of Class on Wednesday
You need to be thinking about buying your book and hard drive ASAP.
Sunday, January 11, 2009
A note about Video Art
While visiting Prospect 1 this weekend I was reminded at the importance of viewing the original installation of video art. So I wanted to list some venues where you could see the actual work. I know you have little in terms of travel funds, yet that travel to events like Art Basel and Prospect 1 are far more valuable then you could imagine.
Now on veiw:
(please double check with actual venue before traveling
MIAMI
At the Margulies Collection at the Ware house
-Isaac Julien Western Union: Small Boats, 2007
A film installation on migration and the hope for a better life
(other video art on display when I was there for basel: Cory Archangel, Tony Oursler, Doug Aitken)
Prospect 1 New Orleans: End this weekend!
Shirin Neshat, Isaac Julien, JANINE ANTONI, CANDICE BREITZ and more)
New York
MoMA
Pipilotti Rist: Pour Your Body Out (7354 Cubic Meters)
November 19, 2008–February 2, 2009
The Whitney
Alex Bag:Opens January 9, 2009
For her first solo museum presentation, Alex Bag is creating a newly commissioned video installation inspired by the 1970s children’s syndicated television show, "The Patchwork Family," on which the artist's mother appeared as host. Continuing her commentary on contemporary media culture, and in her signature satirical style, Bag peoples her audience with real-life kids, as well as a variety of stock characters from her previous work, including conspiracy theorists, witches, neurochemists, corporate raiders, and suburban housewives.
Now on veiw:
(please double check with actual venue before traveling
MIAMI
At the Margulies Collection at the Ware house
-Isaac Julien Western Union: Small Boats, 2007
A film installation on migration and the hope for a better life
(other video art on display when I was there for basel: Cory Archangel, Tony Oursler, Doug Aitken)
Prospect 1 New Orleans: End this weekend!
Shirin Neshat, Isaac Julien, JANINE ANTONI, CANDICE BREITZ and more)
New York
MoMA
Pipilotti Rist: Pour Your Body Out (7354 Cubic Meters)
November 19, 2008–February 2, 2009
The Whitney
Alex Bag:Opens January 9, 2009
For her first solo museum presentation, Alex Bag is creating a newly commissioned video installation inspired by the 1970s children’s syndicated television show, "The Patchwork Family," on which the artist's mother appeared as host. Continuing her commentary on contemporary media culture, and in her signature satirical style, Bag peoples her audience with real-life kids, as well as a variety of stock characters from her previous work, including conspiracy theorists, witches, neurochemists, corporate raiders, and suburban housewives.
Wednesday, January 7, 2009
looking for a camera?
Recommended Brands: Cannon, Panasonic, Sony
Recommended Online stores: B&H
Key ideas: You want a camera that uses MiniDV (other types can be highly problematic), and Tape Format should be DV. Think about the lens (Carl Zeiss is a good lens) and research the sensors (3 CCD highest quality)
What camcorder is right for you at CNET
A narrowed down search of MiniDV Camera reviews
A list of only 3CDD camcorders (higher quality in the sensor)
LOW range: (a great camera at a low price)
link to comparisons

Panasonic PV-GS320 3 CCD
I've never used this camera, but looking through the cameras on the market right now, I think I'd recommend this cammera to the class. (no manual focus ring?)
Mid Range:
link to comparisons

Canon GL2
Upper Range
Canon XH-A! HD
Recommended Online stores: B&H
Key ideas: You want a camera that uses MiniDV (other types can be highly problematic), and Tape Format should be DV. Think about the lens (Carl Zeiss is a good lens) and research the sensors (3 CCD highest quality)
What camcorder is right for you at CNET
A narrowed down search of MiniDV Camera reviews
A list of only 3CDD camcorders (higher quality in the sensor)
LOW range: (a great camera at a low price)
link to comparisons

Panasonic PV-GS320 3 CCD
I've never used this camera, but looking through the cameras on the market right now, I think I'd recommend this cammera to the class. (no manual focus ring?)
Mid Range:
link to comparisons

Canon GL2
Upper Range
Canon XH-A! HD

Tuesday, January 6, 2009
Week One Wednesday Class Summary
-Go over Syllabus (possible show Warp Show)
-Prizes Awarded for Error spotting!
-Blog Over View
-Blog Invites
-Pass Around Artist Sign Up Sheet
-View Alex Bag
-Prizes Awarded for Error spotting!
-Blog Over View
-Blog Invites
-Pass Around Artist Sign Up Sheet
-View Alex Bag
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